Flamenco Black: Dance, Modernism and the African Diaspora
Dance
Read more about the companies and individuals that make our city great.
- Nov 25, 2023
- 3 min
REVIEW: The Othering
- Oct 29, 2023
- 4 min
Monica Hogan Danceworks reflects vibrancy of Atlanta dance community through company growth
- Aug 22, 2023
- 4 min
SOMOS gives a grounded, confident vision of ‘who we are’
- Jan 3, 2023
- 4 min
The Fine Line Between the End and the Beginning - Review
- Dec 24, 2022
- 3 min
Gwinnett Dance Project brings creativity and community to a Christmas classic
- Oct 6, 2022
- 3 min
Exploring Trust and Conflict While Dancing for Peace
- Sep 21, 2022
- 6 min
In meta/physical, Medina and Zeitlin explore what happens when movement becomes dance
- Jun 16, 2022
- 3 min
Bautanzt Here's new site-specific work Archs and Textures DWTN is premiering in a series at Undergro
- Jun 14, 2022
- 4 min
In _A Quiet Reflection Vol. 2_ Hannah Myers embraces complexity and uncertainty
- May 4, 2022
- 2 min
Bautanzt Here offers thoughtful work with their presentation of “Hollow Bones”
- May 1, 2022
- 4 min
Review: Burning Bones Physical Theatre deconstructs and transforms _Harry Clarke_ by David Cale
- Apr 25, 2022
- 4 min
Profectus Dance Presents "Affix"
- Apr 8, 2022
- 3 min
Local choreographer Patsy Collins debuts riveting new work “SWARM”
- Jan 12, 2022
- 3 min
TMBT’s “Marley Was Dead, To Begin With” and the Dangers of Plagiarism
- Dec 22, 2021
- 3 min
Bluebird Uncaged provides joy through performance
- Dec 20, 2021
- 2 min
Callanwolde School of Dance brings light-hearted fun with Our Common Joy
- Nov 15, 2021
- 4 min
Komanse Dance Theater’s Permanent Reclaims and Activates Art
- Oct 27, 2021
- 4 min
Fall for Fall’s Saturday show bursts with creative energy
- Oct 13, 2021
- 4 min
Nadya Zeitlin and Bautanzt Here Explore Time, Space, and the Meaning of Movement in “Body Guarding”